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side_sponsors.php
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The AIA gratefully
acknowledges the following sponsors of our 150th Anniversary
celebration:
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Founders Circle: $1,000,000:
McGraw-Hill Construction,
Official Media
Sponsor
Autodesk,
Official Software Sponsor |
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They shared a passion for architecture,
those 49 men who founded The American Institute of Architects. All
were architects, learned, successful, and well known. For decades
they had talked about an organization of architects and had tried
twice to organize. MORE
The history of The American Institute of
Architects begins with an invitation from Richard Upjohn, architect
of Trinity Church in New York City and one of the most famous
church architects of his time. He asked his colleagues from the
city to gather in his office on February 23, 1857. In response, 12
architects joined Upjohn in the Trinity Building to form the
organization that would bring prominence to and profoundly change
the profession of architecture in the United States. MORE
The AIA's first decade was a heady one, as
architects, first from New York City and then from further afield,
came together to look at their obligations-as architects, to
clients-and then at how they might make the public (and each other)
aware of those obligations. Architects from Washington, D.C.,
Baltimore, Philadelphia, and the Northeast soon joined. The second
decade also brought members from Illinois and Ohio in the Midwest,
and from as far south as South Carolina. MORE
With the national community of
architects of the Institute newly established in 1857, it was "only
a matter of time before individual practitioners would gravitate
into nuclei with aims resembling those of the Institute," writes
Henry H. Saylor, FAIA, in his history of the AIA's first 100 years.
The New York Chapter was established first in 1867 with, Saylor
writes, "a personality of its own, a meeting place and, of course,
a library." Almost 150 years later, more than 300 state
organizations and local chapters represent the AIA family. MORE
The AIA's first organizational decade,
1857-66, was truncated by four years of Civil War into a decade of
six years. Yet, during those missing four years, one of the AIA's
founding architects, Thomas U. Walter, completed his design and
construction of the iconic U.S. Capitol dome, which symbolized
then, and now, the supremacy of the Union. MORE
In the spirit of celebration and with great
expectancy, members of the AIA gathered for their Centennial
Convention at the Sheraton Park Hotel in the leafy Woodley Park
neighborhood of Washington, D.C. It was the spring of 1957, and the
occasion couldn't have been more auspicious. Membership in the
Institute had been surging since WWII, and the construction
industry was booming throughout the U.S. Architects had plenty of
work and the Institute's coffers were full. There was much to honor
in the Institute's illustrious past, and the future looked bright.
MORE
The 1896 AIA Convention decided that it
was finally time to answer the question of where the permanent
headquarters of the Institute should be, and delegates chose
Washington, D.C. The U.S. government was the largest single builder
in America, and Washington was where legislators who controlled
federal funding sat. It was also the headquarters city for many
other national organizations with which architects shared common
interests. Whether the AIA should partner with an organization,
such as the Smithsonian, or establish independent headquarters was
still to be decided. MORE
At the 1892-93 World's Columbian
Exposition in Chicago, something that had not been done before at
any world's fair was planned. There would be a building devoted
solely to women. All buildings were to be designed by architects,
and Daniel Burnham, the exposition's chief of construction, sought
the best known American architects as designers. He would have
known Louise Bethune, FAIA, a woman architect, and member of the
AIA. She was clearly capable of designing the Woman's Building-she
had, after all, designed schools, a hotel, a police station, a
baseball field, and other buildings in Buffalo, where her
architecture office was located-but was not nationally known.
Burnham may have had her in mind, may even have offered her the
job. If so, she refused and he ordered a competition among American
women architects for the design of the building. (Larson, Eric,
Devil in the White City, p. 120.) MORE
As the Teddy Roosevelt era segued into the
Taft and then Wilson administrations, the AIA found itself in the
enviable position of advisor in the formation of a federal council
of fine arts, and selection of the Lincoln Memorial and its site.
During this Golden Age, the AIA held its first West Coast
convention, approached a membership of 1,000, and inaugurated a
feisty new Journal that took whacks at U.S. public buildings
policy right on its cover. And, sadly, the Institute mourned the
loss of one its most prestigious members just before he was to
receive the AIA's second Gold Medal. MORE
The AIA, born on February 23, would be 50
in 1907, and there would be a party. The engraved invitations read
The American Institute of Architects, founded in the year
1857, will commemorate the Fiftieth Anniversary of this date, in
the City of Washington, on the eighth of January 1907, and will
esteem it an honor if the _______can be represented on this
occasion. To confuse one a bit, the actual
commemorative exercises were on January 9, beginning at
the New Willard Hotel at 14th and Pennsylvania at 2:30 p.m., with
greetings from architecture societies, art groups, and universities
around the world, and featured addresses, reminiscent and
historical. MORE
The socially turbulent 1960s and early
70s were a time in the U.S. when people tested and challenged
inherited norms and verities, and the AIA was not untouched by the
spirit and mood of the moment. Critical national and international
events forced the organization, which for 100 years had a
reputation for being civic minded, to reconsider its standing in
the larger society. As social movements percolated across the
country, the AIA took a hard look at itself and asked fundamental
questions about the social role of professional societies in
general and of architects in particular. Which social ills required
the attention of the AIA? Were there questions of conscience,
non-professional in nature, that demanded that the organization
leverage its influence and prestige in Washington? Was it right for
members to ask the AIA to take positions on issues beyond the
expertise of architects and planners? Did circumstances sometimes
require it? MORE
As part of its 50th anniversary celebration,
the AIA bestowed its first Gold Medal on English architect Sir
Aston Webb in 1907. Webb, known for his Beaux Arts and Victorian
works, humbly thanked the reception crowd, saying, "The memory of
this evening will remain with me all my life. I shall take the
medal home and keep it amongst my most treasured possessions." MORE
The decade following World War II did not begin easily for the
AIA. Although it had let the contract for construction of a new
Administration Building in 1940, and construction was completed,
the war intervened, and the Institute did not gain occupancy for
another eight years. The federal government had taken over the
two-story brick building-which wrapped around the rear of the
Octagon garden, stretching from New York Avenue to the Octagon
stable-at an annual rental of $12,000. A fence separated the
Administration Building from the Octagon garden. In the meantime,
the stable along the north part of the property, which the District
government had condemned, was stabilized and the cornice of the new
building wrapped around it. In 1947, the government agreed to
return the building to the AIA in June of 1948. MORE
It came as no surprise to
architects that with the inauguration of Woodrow Wilson as
president on March 4, 1913, ready access to the power of the
presidency ended for architects. Wilson's opponents, President
William Howard Taft and former President Theodore Roosevelt, whom
the Republican Party split to nominate, were respected friends of
architecture and the arts. Both also were AIA members: Taft was
elected Hon. AIA in 1907, Roosevelt in 1909. Clearly, they had had
the support of the art community, and Scotch Presbyterian Wilson
was in no mood to forgive architects for their lack of support for
him. MORE
"Architecture as an Art" was the theme in
Washington, on May 11, 1927, as AIA President Milton Medary opened
the 60th AIA Convention. MORE
With great
prescience, AIA Secretary Glenn Brown, FAIA, a founding member of
the Washington Chapter of the American Institute of Architects,
urged the society to relocate to the nation's capital from its New
York City headquarters. In D.C., Brown and his contemporaries
reasoned, the Institute could influence federal building efforts
and funding. Members considered other locations, but ultimately
chose Washington, D.C., in 1898 for its political access and ties
to money and power. MORE

AIA President Leon Chatelain Jr., a
Washingtonian, presided over the AIA during its Centennial Year in
1957, with a clear message to the membership: "All that the
architects of America have come to know in the hundred years since
1857, all of the ingredients and technology and craft that is
architecture in 1957, can barely answer the need of our times. Of
the future we know only this: that its pressures and the sum of the
daily hungers of its people will pull us into a frenzy of
coordinated creativity. The hundred years that have crowded in
behind us have pushed us into another century of professional
evolution. We have neither time nor balance to stand still, to
contemplate our past. In the year of our centennial, let us look
with care where we are going-into the future. We are needed there."
MORE
Times were relatively good and
administrative space tight for the AIA national component, so
leaders were planning a new national headquarters building to
"satisfy both physical and spiritual functions-a building of
special architectural significance, establishing a symbol of the
creative genius of our time yet complementing, protecting and
preserving a cherished symbol of another time, the historic Octagon
House." MORE
The AIA launched a nationwide community
service program, titled "Blueprint for America: A Gift to the
Nation," on May 19 by funding the first 60 grants for collaborative
visioning initiatives between AIA architects and their communities
created to produce a shared vision for a more livable future. The
AIA will provide $2 million in the next six months to fund more
than 200 grants. MORE
Can you imagine the intensity back in the
'60s when AIA members decided to design their own headquarters
building? When the new building finally was dedicated in 1973, Max
Urbahn, chair of the jury that selected The Architect's
Collaborative (TAC) to design the Institute headquarters,
commented: "Few buildings in history-perhaps none-have been the
focus, either in kind or in degree, of such architectural
attention, involvement, anguish, dedication, and
criticism." MORE
"When an organization leverages diversity,
it sees things that cannot be seen working from the basis of
sameness. Leveraging diversity results in greater innovation and
greater capacity for change," write Frederick A. Miller and Judith
H. Katz in The Inclusion Breakthrough. As the AIA marks its
150th year, the Institute continues to look inward and outward to
provide more opportunities to make architecture a more inclusive
profession. AIArchitect interviewed AIA President Kate
Schwennsen, FAIA, on issues relating to diversity and
inclusiveness. MORE
Theodore Landsmark, Assoc. AIA, Boston
Architectural Center president and chief executive officer, and AIA
Diversity Committee Chair will receive The Whitney M. Young Jr.
Award on June 9 at the AIA 2006 national convention in Los Angeles.
The award is given in memory of the civil rights leader who at the
1968 AIA convention challenged architects to actively increase
attention to the inequities suffered by minorities. Here,
Landsmark, the 35th recipient of the award, speaks with
AIArchitect about diversity in the profession, the role of
AIA and collateral organizations in fostering diversity, and where
we can go from here. MORE
Since Skidmore, Owings & Merrill's
founding in 1936, the firm has completed more than 10,000
architecture, engineering, interior architecture, and planning
projects in more than 50 countries around the world. Many of their
projects, of course, are iconic buildings that are standing the
test of time: the Sears Tower and John Hancock Building in Chicago;
New York City's Lever House; and other signature projects including
the U.S. Air Force Academy in Colorado Springs, Colo., and Jin Mao
Tower in Shanghai. In 1961, SOM received the first AIA Architecture
Firm Award, the Institute's highest honor for design excellence in
a collaborative practice. It is the only firm to be so honored
twice, winning again in 1996. Over the years, SOM has received more
than 800 design awards. MORE
AIA component executives and their 232
"champions" rallied in Chantilly, Va., November 6-7, to inspire and
be inspired to celebrate the Institute's "AIA150" sesquicentennial
anniversary. The AIA150 champions-selected by their local and state
chapters to spearhead the "Blueprint for America" local projects
and events that will commemorate the Institute's 150th year in
2007-spent the two days trading both dreams and level-headed advice
about choosing the right kinds of projects and how to get them
done. MORE
For more information, please contact us.
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